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纪录片《肮脏的哈利纪念品 Dirty Harry Documentaries 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载
Dirty Harry Documentaries
一般信息：艺术纪录片没有华纳在2008年发表的叙述 - 英语
1971年的信息，在好莱坞大规模转型和美国的社会动荡，总监Don Siegel和演员克林特·伊斯特伍德在行动电影中创造了一个最令人难忘的人物之一，一个脾气暴躁的旧金山警察“肮脏“哈利Callahan，不是厌恶弯曲规则来获得他的男人。疯狂的“天蝎座杀手”是在松散，Callahan忽视程序的努力，努力跟踪他，利用他的信赖的Magnum .44分配他自己的正义品牌。官方蔑视官僚机构的缔约方会议导致了非传统的方法 - 例如折磨嫌疑人以提取信息 - Callahan可以被视为Maverick英雄或法西斯精神病，具体取决于一个人的政治劝说。 Siegel的矛盾演示和Eastwood的努力为观众留下了大量模棱两可的阴影来考虑。虽然批评时间争论了Siegel暴力愿景的价值，但受众承认了一种新的行动英雄，并使电影成为粉碎。这些角色最终将出现在四个流行的续集中，Magnum力（1973），执法者（1976），突然影响（1983）和死亡池（1988）.Dirty Harry：原始的Jerry Hoowrewe的2001年回顾性纪录片肮脏的哈利特许经营者由罗伯特·富勒斯主持，这是一个糟糕的招待员在第二次肮脏的哈利薄膜“magnum force”中生命。这30分钟的纪录片包括丰富的受访者，如伊斯特伍德，John Milius，Hal Holbrook，Ted Post，甚至阿诺德·施瓦辛格评论了伊斯特伍德的角色是他的一个恍惚。克林特贡献了最多的贡献，揭示了他和西格尔如何在较少拍摄的西雅图中设置电影，但是“正如他所说，那里的电影扎根了”很难过去旧金山“。阿诺德·施瓦辛格对这些人物的吸引力提出了他的思想，这对他来说，哈利可以在吃汉堡的同时“爆炸罪犯”。肮脏的长长的阴影哈利深入回顾由加里维拉有很多批评者，电影历史学家，演员和船员采访，采访克林特·伊斯特伍德，电影摄影师杰克N.绿色，作家John Milius以及诸如安德鲁·罗宾逊和Hal Holbrook等系列中的共同明星以及包括Joe Carnahan（包括Joe Carnahan）的粉丝，Shane Black，Michael Madsen，David Ayer，Peter Hyams，Joel Cox，约翰巴德姆和几个其他人，所有这些都对电影的政治和审美影响提供了深思熟虑的评论。这25分钟的Featurette看看肮脏的哈里角色已经成为几十年来的邪教图标，突出了70年代美国的情绪，为什么电影和角色将影响许多其他电影。道德权利：政治肮脏的哈利洞察力看看电影的道德情感 - 正确和错误的方式 - 因其时间的社会气氛而衡量。 Don Siegel的1971年的1971年犯罪惊悚哈里已经成为流行的想象力的代名词，这种实践具有一定的残酷的功利逻辑，“肮脏的哈里伦理”，其中目的是任何手段，然而令人震惊，只要他们有效立即到更大的好处。在它出来的时候，肮脏的哈利有一个视野体现了一个反动的政治议程，使暴力作为社会问题的简单解决方案。肮脏的Harry系列是对美国时期的迷人研究，这些时期从70年代初开始于幻灭，并在“美国早晨”里根时代结束，当该国更加偏振时，现在是“法西斯语”这样的话“和”共产主义“太容易被带了。电影制作人，社会科学家和作者提出了挑衅性的哈利电影的道德，政治和道德主题。业务结束：电影中的暴力行为，一个未脱节的电影暴力辩论及其对观众的影响。在当代fascinati在犯罪的图像中，暴力落在皮肤下，让我们迷住。电影中的暴力是争论之一的争论来源，因为电影在其婴儿期间。从黑暗和白色的炮弹电影的“30岁”，到亚瑟·佩恩的慢动作枪战1967电影，“邦妮和克莱德”到了血液流动的血液流动，对暴力的描绘了电影具有长期偏振批评和观众。那辩论今天继续。 Clint Eastwood，John Milus和Andrew Robinson是与肮脏的Harry交谈的人，但我们从电影制作者和教作者那里获得了关于电影中的暴力行为的作者的其他采访。克林特·伊斯特伍德的演变追随Eastwood从电视明星到Matinee偶像的职业生涯奥斯卡 - 沃恩导演。 Eastwood的影片摄影专注于行动和后果，沉默的英雄和反的故事，他们的工作，仔细考虑了他们的遗憾，完成了工作，然后去做他们的事业，希望在这个过程中更好地离开世界一点。伊斯特伍德在20世纪50年代和60年代的演员中担任演员，最特别是意大利总监Sergio Leone的史诗般的意大利西部。在那些电影中，伊斯特伍德播放了一位很少讲话的枪手，从未被识别过，被广泛地知道，因为没有名字的人。在20世纪70年代初，Eastwood将在相机后面搬到他自己的电影，他的工作保留了相同的支持性。现在是一个双职学院奖获得者为最佳导演，美国董事会的两倍获奖者奖最佳导演，以及多重批评的收件人，克林特·伊斯特伍德的奖品和提名，克林特·伊斯特伍德成为在现代电影院工作的最优秀的董事之一。肮脏的哈利工艺哈利对电影摄影师，作曲家，编辑，设置设计师和其他合作者的敬意谁帮助让肮脏的哈利系列难忘。 Clint Eastwood对他对Auteur理论看来的评论，我们在Lalo Schifrin，James Fargo，Michael Madsen，Jay Cocks，David Ayer和其他几个人的采访时，他们讨论了编辑，电影摄影师以及那样的重要性作曲家。当时，Lalo Schifrin非常需要作为电影，电视和记录的作曲家。 Schifrin为Don Siegel的电影，TH写了五个董事的音乐ree被克林特·伊斯特伍德的克里拉特·伊斯特伍德。但是，首先是哈利卡拉班电影俘获了公众花哨的电影，并将产生四个续集，使伊斯特伍德更有名为旧金山侦探，比他作为西方反景象。此特色为通常没有任何信誉的相机背后的人员致敬。我们看一下它们的角色和分配.Technical Specs视频编解码器：X264 CABAC高@ L4Video Bitrate：2 120 Kbpsvideo分辨率：720x408display纵横比：16：9帧每秒：29.970 Fpsaudio编解码器：AC3Audio Bitrate：192 KB / S CBR 48000 HzAudio流：2Audio语言：每部分英文术：25分钟/平均部分：6零件尺寸：398 MB - 498 MBSOURCE：DVD（谢谢ISIS @ ABDVD）编码：DOCFREAK08
纪录片关键词：
【肮脏的哈里纪录片，美国电影，十年的影响：70年代电影改变了一切，电影通过马格南，纪录片，赫奇克的淋浴场景，洛杉矶电影中黑色，塞缪尔富勒，山姆啄木鸟 - 铁，真实的人荣耀：重建大红色，电影中的规则】
【艺术，没有叙述，华纳，2008，英语】
Dirty Harry Documentaries,American Cinema,A Decade under the Influence: The 70s Films that Changed Everything,Cinema Through the Eye of Magnum,Documentary,Hitchcock's Shower Scene,Los Angeles Film Noir,Samuel Fuller,Sam Peckinpah - Man of Iron,The Real Glory: Reconstructing the Big Red One,The Rules of Film Noir
Arts,No narration,Warner,2008,English
General Information：
Arts Documentary with no narrationpublished by Warner in 2008- English language
Information
In 1971, during a time of massive transition in Hollywood and of social upheaval in America at large, director Don Siegel and actor Clint Eastwood created one of the most memorable figures in all of action cinema, a bad-tempered San Francisco policeman "Dirty" Harry Callahan, not averse to bending the rules to get his man. The maniacal 'Scorpio Killer' is on the loose and Callahan disregards procedure in his efforts to track him down, using his trusty Magnum .44 to dispense his own brand of justice. A cop whose disdain for bureaucracy led to unconventional methods — such as torturing a suspect in order to extract information — Callahan could be viewed as a maverick hero or a fascist psychopath, depending on one's political persuasion. Siegel's ambivalent presentation and Eastwood's stoic mannerisms left plenty of ambiguous shadings for the viewer to consider. While critics of the time debated the value of Siegel's violent vision, audiences recognized a new kind of action hero and made the movie a smash hit. The character would eventually go on to appear in four popular sequels, Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983) and The Dead Pool (1988).
Dirty Harry: The Original
Jerry Hogrewe's 2001 retrospective documentary on the Dirty Harry franchise hosted by Robert Urich, a bad cop officer Grimes in the second Dirty Harry film "Magnum Force". This 30-minute documentary includes a wealth of interviewees, like Eastwood, John Milius, Hal Holbrook, Ted Post and even Arnold Schwarzenegger commenting on how Eastwood's character was one of his inspirations. Clint contributes the most, revealing how he and Siegel planned to set the movie in the less filmed Seattle, but "it's hard to go past San Francisco", as he says, and there the movie took root. Arnold Schwarzenegger offers up his thoughts on the appeal of the character, which for him is that Harry can "blast criminals away" while eating a burger.
The Long Shadow of Dirty Harry
An in-depth retrospective of the film directed by Gary Leva with plenty of interviews from critics, film historians, the cast and crew, featuring interviews with Clint Eastwood, cinematographer Jack N. Green, writer John Milius as well as co-stars in the series like Andrew Robinson and Hal Holbrook as well as fans including Joe Carnahan, Shane Black, Michael Madsen, David Ayer, Peter Hyams, Joel Cox, John Badham and several others, all of whom provide thoughtful comments on the movie's political and aesthetic impact. This 25 minute featurette takes a look at the cult icon that the character Dirty Harry has become over the decades, highlighting the mood of the 70's America and why the film and character would go onto influence so many other films.
A Moral Right: The Politics of Dirty Harry
An insightful look at the way in which the film's sense of morality – of right and wrong – is measured against the social climate of its time. Don Siegel's 1971 crime thriller Dirty Harry has become synonymous in the popular imagination with the practice of a certain kind of brutal utilitarian logic, "Dirty Harry ethics" in which the ends justify any means, however shocking, as long as they contribute to the greater good. At the time it came out, there was a view that Dirty Harry embodies a reactionary political agenda, endorsing violence as a simplistic solution to social problems. The Dirty Harry series is a fascinating study of an American period that begins with the disillusionment in the early 70s and ends with "Morning in America" Reagan era, and when the country was even more polarized than it is now, where words like "fascist" and "communist" were banded about too easily. Filmmakers, social scientists and authors take a provocative look at the moral, political and ethical themes of the Dirty Harry films.
The Business End: Violence in Cinema
An unflinching look at the ongoing debate on violence in movies and its effect on the audience. In the contemporary fascination with images of crime, violence gets under our skin and keeps us enthralled. Violence in movies has been a source of controversy since cinema was in its infancy. From the black and white gunplay of the gangster movies of the '30s, to the slow-motion shootouts of Arthur Penn's landmark 1967 film, "Bonnie and Clyde," to the rivers of blood flowing in Quentin Tarantino movies, the depiction of violence in film has long polarized critics and audiences. And that debate continues today. Clint Eastwood, John Milus and Andrew Robinson are the ones connected to DIRTY HARRY who speak here but we get other interviews from filmmakers and authors who have written about violence in movies.
The Evolution of Clint Eastwood
Follow Eastwood's career from television star to matinee idol to Oscar-winning director. Eastwood's filmography is focused on action and consequences, stories of strong and silent heroes and antiheroes who do their work, mull their regrets, get the job done, and then go about their business, hoping to leave the world a little bit better in the process. Eastwood got his start working as an actor in the 1950s and '60s, most notably in a trio of epic spaghetti Westerns by Italian director Sergio Leone. In those films, Eastwood played a gunslinger who rarely speaks and is never identified, known widely as the Man With No Name. In the early 1970s, Eastwood would move behind the camera to direct his own films, and his work retained the same stoic sensibility. Now a two-time Academy Award winner for best director, twice winner of the Directors Guild of America Award for best director, and recipient of countless other critics prizes and nominations in multiple capacities, Clint Eastwood stands as one of the finest directors working in modern cinema.
The Craft of Dirty Harry
A homage to the cinematographers, composers, editors, set designers and other collaborators who helped make the Dirty Harry series unforgettable. Clint Eastwood comments on his opinion of the auteur theory and we get interviews with the likes of Lalo Schifrin, James Fargo, Michael Madsen, Jay Cocks, David Ayer and several others as they talk about the importance of the editor, cinematographer as well as the composer. At the time, Lalo Schifrin was very much in demand as a composer for films, television, and records. Schifrin wrote music for five of director Don Siegel's films, three of which starred Clint Eastwood. But it was that first Harry Callahan film that captured the public fancy and would spawn four sequels, making Eastwood even more famous as a San Francisco detective than he had been as a western antihero. This featurette pays homage to the people behind the camera who usually don't get any credit for their work. We take a look at their role and comtribution to the series.
Technical Specs
Video Codec: x264 CABAC High@L4
Video Bitrate: 2 120 Kbps
Video Resolution: 720x408
Display Aspect Ratio: 16:9
Frames Per Second: 29.970 fps
Audio Codec: AC3
Audio Bitrate: 192 kb/s CBR 48000 Hz
Audio Streams: 2
Audio Languages: english
RunTime Per Part: 25 min / average
Number Of Parts: 6
Part Size: 398 MB - 498 MB
Source: DVD (Thanks to Isis@a.b.dvd)
Encoded by: DocFreak08
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纪录片《肮脏的哈利纪念品 Dirty Harry Documentaries 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载
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小贴士：【影视自媒体解说文案请移步：夏至文案解说网 www.xiazhi.vip】上一篇：纪录片《Dirty Dali：私人视图 Dirty Dali: A Private View 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载下一篇：纪录片《肮脏的南方 The Dirty South 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载
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发表于 2021-9-11 10:42:02